Monday, 26 October 2009

Interview - Gloria Jones

So today my train of thought ran a little like this: The Pigeon Detectives have covered 'Tainted Love' for charity. Soft Cell also covered 'Tainted Love'. It was originally a Northern Soul tune made pretty famous by Gloria Jones. I interviewed her once. I think it's somewhere - aaargh! Where is it?

After a bit of delving through CDs I found the little bugger, so here it is. I remember the interview went on for a good 50 minutes, so warm and delightful she was to talk to. And it looks like we rang her in Los Angeles - good grief, that must have cost a few pence. Hopefully that's not related to the publishing company going under the following year. Whoops.

Originally published on Native.tv in 2007
Words - Suzy Sims
(c) Niche News and Publishing

INTERVIEW - GLORIA JONES
Gloria Jones. As many pub quiz teams will know, she’s the Northern Soul singer who first made famous ‘Tainted Love’ in 1964, which later on was made even more famous by Soft Cell. Singing in a gospel group in her hometown, Jones worked her way up from doing backing vocals for the likes of Bob Dylan and her own singing career to playing instruments in T.Rex, where she met Marc Bolan and together they had a child, Rolan. Marc was killed in 1977 when their purple Mini came off the road and swerved into a tree. Gloria survived, escaping with several painful injuries, and returned to America with Rolan.

Now Marc has become an icon, a rock legend. Passing away has elevated him to the status almost of a myth who could do no wrong; gone too soon, much like Elvis, Lennon and Holly. Gloria Jones can tell us more about the man.

When we ring Gloria, she’s in Los Angeles where the family have been visiting for Rolan’s birthday. “It’s a very British looking day,” laughs the 69-year-old in her honeyed voice. 2007 is a significant year for fans of T.Rex. It’s 30 years since Bolan died. It would also have been his 60th birthday this September. There have been services to mark the occasion.
“There was the memorial service at the crematorium and there were fans - I call the fans ‘friends’ - and there were Marc’s friends that came all the way from Germany, Switzerland, Rome, I mean people from all over the world.” Gloria speaks slowly and pauses between each place for emphasis. “And friends from Germany brought their children. It’s not about the past, it’s about the future and about the positiveness that the children are now bringing in.”
The anniversary means special reissues, which means a whole new audience exposed to T.Rex's songs. Glam rockers T.Rex operated from around 1967 to 1977, bringing sweet rock and wild clothes to the masses. Gloria played keyboards and sang backing vocals in the band's later years.

“In this rebirth of Marc’s music we’re looking at in America children six, seven years old wearing their T.Rex t shirts, stars under glitter on their little cheekbones, and so that’s really exciting.
“Our family are becoming aware that we have to protect Marc’s image as much as we can. And this is one of the reasons that next year we will be honouring Marc’s brother Harry with a musical tribute from the family. I really want you to mention this for me, I really need this!” Gloria laughs.
Is it quite odd walking around and hearing all those songs you had such a part in? “Yes, yes. People are beginning to hear the real truth. All of Marc’s private collection of records, his poetry, his life, all of that just got out into the street. And so now people are realising ‘Oh we don’t have everything, we really don’t know the story about how this song was created’.”
Such as 'Why Must I Be A Teenager In Love?' which has seen the light of day as a b-side to the reissued ‘20th Century Boy.’ “We were staying in a flat in St John’s Wood and in the apartment we had the jukebox. We never had a lot of furniture, but the jukebox was the centrepiece there. And then we had the music room and that was where we recorded ‘Why Must I Be A Teenager In Love?’ At that time I had just conceived Rolan and we were just taking it easy before flying out to Monte Carlo.

”Marc was playing the guitar and he was singing. He was inspired, he didn’t have to have elaborate things, he could just sit in the room cross-legged and play his guitar. I remember he called me and said “Glo, come here, come here. I want you to sing harmony to this.” And because our life was centred about music you never knew what Marc was thinking, you didn’t know if he was already in production, if he had recorded the song! When I first started singing it he said: “Now I want you to give me that Chaka Khan feel.” So that’s why when you first hear my entrance there’s like this very high strange note in there [laughs].”
What do you think he would have been doing now if he was still alive? “I believe he would have been doing films because he was already involved in video and music. And I believe he would have been enjoying his family, which he did. He had the prize of life that so many people didn’t understand. He was always a child at heart, and he enjoyed his family. When we would come to the United States we would stay with my family so he would have a chance to taste Southern cooking which he was very polite about!”
Grits? “Fried catfish! And you know Marc was very classy and very clever and he would politely sit and take a bite and that was it, and then order something else.”
How do you think he would have got on nowadays, because there’s a whole cult of celebrity and there’s so much media attention? “But you see Marc would have milked it, because that was his love,” Gloria says instantly. “He had the Marc TV Show before the one in 1977 and he had Telly Savalas on the show. He had never heard of Marc. When he came out there on the show Marc says: “Telly baby,” and Telly says: “Well Marc baby.” You might say he understood his work, and he was clever about sending any situation up but he had respect, you know there was always respect, and always love."

And you’re not fed up of talking about Marc? Because you must get asked about him so often. “Listen, sweet, you have to understand something. We were not only partners, we were also musical partners so we had a lot in common. It wasn’t strange because we were basically musicians, and so our life was in the studio, travelling, and that’s why when Rolan was born it brought in a new balance.
“Now the actresses are having their babies, taking pictures with the pregnancy, but in those years they disgraced me because Marc took a picture of me with my belly. He said “What do you want to do about it?” and I said “Oh it’s nothing,” because I knew Rolan had a future and so you don’t want to have problems because life moves on, the world moves on, and look at the world today! Look at the press and the music, how wonderful! But Marc was doing that years ago. He was always friends with the media. How old were you, you were young right?”
I’m 25. I wasn’t born! “That’s what I’m talking about! So when I’m saying to you, everything happening now is what Marc did some years ago.”

It all comes back round again? “It all comes back round and what happens is now the artists, the actresses, they have more freedom. In those days Marc took risks, and he took risks because he knew that there was a future. He knew that the industry would not stay the same. And so what he did he approached the media and television and his music as if he was a 1930s movie star. That’s how he approached his career; you know the boas, the mascara.”
He was very flamboyant, wasn’t he? “Yes. And in those days you had Errol Flynn who was absolutely beautiful, then you have to remember Marc was very beautiful. So he had all of the qualities of becoming a star in the Seventies. Like you said, you weren’t born, and we had the hippie era, [laughs] we had the disco era, we had the rock and roll era, but now you have a chance to relive that but also it’s not any different. Except now you have hip hop. But then in the Fifties, you had beatniks who would rap poetry to jazz music. So that is why we have to stop the separation. It’s one big pie.”

Gloria and Marc’s musical talent has passed on to Rolan. I read somewhere he has an album coming out? “Yes, he’s working on his career and he will let everyone know when that’s ready. Rolan actually wanted to be a baseball player. How he got into performing was by accident. He had a fractured ankle and so then his friends asked him to perform in theatre at the university so there he was in Hair - which his mom also thirty plus years ago was in the original cast of Hair in Los Angeles.

"The main thing was Marc always wanted Rolan to have an education and that was more important than anything. Now if you find the music and theatre and things after that, fine.
“We’re very happy for Rolan because can you imagine coming into the world, stepping in your father’s shoes - who was one of the largest stars - and really just wanting your own individuality, which he deserves. And I think that’s more important and I think he’s learning that the audience will accept him as an individual and I admire him. I admire any other star’s children that are presenting their own talent and not using a parent’s name.”

Now remarried, Gloria herself isn’t so much involved in music anymore – though she recently duetted on ‘Tainted Love’ with Marc Almond at Shepherd’s Bush – but she is heavily involved in charity work in Sierra Leone, running Youth Net Children Under the Sun. “We are at this time planning on building the Marc Bolan School of Music and Film, and the reason is that we feel that if the orphans can learn an instrument and learn to write a song, they have a chance, you know?


"People will always love music, people will always be creative, and the work we try to do to help these orphans to have a purpose for life. Oh and also mention Gibson for me, Gibson guitars - oh girl, these people have been so supportive - on behalf of our family, Rolan, and the School of Music. So our children are going to be learning guitar.”
Why Sierra Leone? “The children there are very, very lovely and very open and they’re just so genuine with appreciation, and after just coming out of the civil war their little eyes are shining, they still have life. And Marc loved children. Marc did not see colour. Marc’s life was a mixture, so this school, any orphans that want to attend, even from all over the world, they’re welcome; it’s the love of music and to help these children to get on their way.”

Gloria says they would like to show Bolan’s humanitarian side. “[Marc] was about youth. We both were. We were your age, but we were about young people helping young people. Like I said, people knew of his poetry and his music but they didn’t know the man. Marc loved sitting at home strumming his guitar, playing his record collection, watching TV, occasionally pop in a few movies. He was always playing his guitar and reading, he loved to read science fiction and getting new ideas and constantly trying new approaches to making the record business interesting.

“The up-and-coming bands, they all say they were influenced by Marc. The stars that have already had hits, they say they were influenced by Marc. Look at the wonderful Boy George. He used to stand at the front of Marc’s office on Bond Street and he was such a nice guy, such a sensitive guy. And he never bothered Marc, you know. And I used to always watch him because he was tall and he would wear a real short haircut, nice to watch this guy. One time I was looking out of Marc’s office window and there was Marvin Gaye across the road! Window-shopping. And I wanted to run down but you know I was so cautious, and you just couldn’t be that open, and so many times I thought why didn’t I go, why didn’t I grab Boy George, bring him to Marc, why didn’t I go grab Marvin!

“But you didn’t have the freedom like now, the stars are able to walk around. It was very difficult because whenever they saw Marc they would just go crazy. They were so excited. He used to go to the museum and there would be a group of schoolgirls and we would have about thirty minutes alone – but before we can get out of there those kids would be ‘Marc Bolan’s here!’ and there’s running and there’s screaming! Sometimes you do need a break.”

And back to 'helping people on their way', Gloria has a story she wants to share: “There were some gentlemen at Rolan’s first introduction into the industry and they were speaking amongst themselves. One guy told the other guy, oh I can remember when I was around 15 or 16 years old, and my tyre blew out. And all of a sudden Marc Bolan appeared. And he took care and he helped them out, they patched the tyre up and came back, put the tyre on and after that Marc said ‘OK gents you’re on your way.’ And he said, I can remember how Marc got us on our way. Isn’t it beautiful? I hope you can print that,” she adds.
So we have.
Official Marc Bolan Fan Club http://www.marc-bolan.com
Gloria’s
charity Youth Net Children Under The Sun http://www.yncuts.net

Friday, 16 October 2009

Interview - The Little Philistines - Southsea Fest

Another of the interviews I carried out in the Kings Theatre's bar during Southsea Fest. Very cheery and charming band.

Previously published on mINtSOUTH.com in September 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

INTERVIEW - THE LITTLE PHILISTINES @ SOUTHSEA FEST 2009

mINtSOUTH: Tell me a bit about yourselves.
Emily: “We all live in London. I’m from Southend which is a seaside town so I kind of have a kindred feeling with Southsea. John and Rob decided to have a new band. John said let’s have Adam, and I wanted to be in the band but they would only let me sing and play violin if I also agreed to play keyboards.”
John: “…And if she brought biscuits.”
Emily
: “Then after that had all been sorted we didn’t have a drummer, then at my birthday party one year we did a little gig and Matt begged us to let him play.”

mINtSOUTH: Can you describe your music?
The Little Philistines: “Poppy, indie, guitary, violiny, quirky, banging drumming, harmonies, intelligent lyrics, a bit political. Music to have fun to basically - but also to make you think.”

mINtSOUTH: What do you like your listeners to be doing while they’re listening to you?
Emily: “Hopefully our listeners will be singing along with our music, or dancing, or both. We did an acoustic set for Recharged Radio and it was nice to get instant feedback in the chatroom.”

mINtSOUTH: Southsea Fest – have you played yet today?
The Little Philistines: “We played at the Kings upstairs. It was great. Everyone’s just been really really friendly.” John: “But then I don’t imagine many people are drunk yet, so maybe later it will turn dark…”
Adam: “It’s a great set up having all these venues on the same road. It’s really cool.”

mINtSOUTH: Any bands you’re looking forward to seeing? The Little Philistines: “Tubelord, Anja McCloskey who’s from Haunted Stereo, Strange Death of Liberal England, Beans On Toast.”

mINtSOUTH: What are your plans for the rest of the weekend?
Rob: “That’s very forward of you.”
Matt: “I’ve got to drive to Sheffield tomorrow for my mum’s birthday, so I’m missing all the bands I want to see today. This Town Needs Guns, I wish I were seeing. This City I wish I were seeing, The Xcerts I wish I were seeing.”
John: “Emily, can you go and get the violins?
Adam: “I’m going to find out where the free drink is. The rest of the weekend may do as it will.”

mINtSOUTH: How did you choose the name of your band?
Emily: "There was a bit of a band name war, it went on for several decades. We ended up with a shortlist and The Little Philistines was on the shortlist because that’s what my dad used to call me and my sister when we were little and we didn’t appreciate culture. It kind of won by default because it was the least unpopular. But actually we’ve quite grown into it now. My dad’s reaction has been fairly non-committal - he just raised his eyebrows.”

mINtSOUTH: Which band member would you eat first on a desert island?
Matt: “I’m the meatiest.”
John: “I think I would go for Emily because I suspect that Emily eats the best out of all of us. We should get the nutrients from what she’s eating.”

mINtSOUTH: Gorilla versus bear – who would win in a fight?
Matt: “Bear. I’ve seen Grizzly Man.”
John: “A Gorilla could knock your head off with one swipe.”
Adam: “If we’re talking a polar bear, they’re huge.”
Matt: “How many bands split up over this question?”

Shoutbox – Single ‘Bus Pass / Judith Cut My Head Off’ is out now on iTunes.

http://www.myspace.com/thelittlephilistines

Interview - The Ramblings - Southsea Fest 2009

One of the 13 interviews I carried out during Southsea Fest 2009.

Previously published on mINtSOUTH.com in September 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

THE RAMBLINGS @ SOUTHSEA FEST 2009

mINtSOUTH: Tell me a bit about yourselves.
Robin: “We’ve been going about two-and-a-half years now. We all went to uni together in Southampton and me and Kooksy just used to get drunk and mess around, he had a little electronic drum-kit, I had my guitar and we were just jamming. Then Johnny got involved, started doing a bit of singing, and then slowly but surely building up to getting everybody in the band. We were together for about a month and we played our first gig, and we’ve just been going ever since really.”

mINtSOUTH: Can you describe your music?
Robin: “I’d say it was like progressive indie. It’s got lots of hidden melodies and lots of structure to it, very floaty vocals over some really harsh vocals, nice piano. Bits and pieces all jammed together.”

mINtSOUTH: Southsea Fest – looking forward to your gig this evening?
Robin: “Yeah, big time. It’s going to be really good.
mINtSOUTH: Have you got any onstage antics to get everyone going?
Robin: “Johnny, our singer, is pretty animated, he always gets the crowd going. Lots of feet stomping, lots of hand clapping, lots of audience participation. We’ve played [in Albert Road] quite a lot. As a street, with all the pubs and everything like that, to put something on like this is great. Proper carnival atmosphere. You couldn’t pull it off in Southampton basically.”

mINtSOUTH: How did you choose the name of your band?
Robin: “That was down to Kooksy. He had to come up with a name and he just said The Ramblings because it gives us the license to say pretty much what we like, to ramble on!”

mINtSOUTH: Gorilla versus bear – who would win in a fight?
Robin: “I reckon a bear’s going to do it. Bears have got big paws and they’re very tall. It would be very close.”

Shoutbox – “We’re launching our single at the Dublin Castle on the 17th October. Everybody’s invited!”

http://www.myspace.com/theramblingslive

Interview - Hold Fast @ Southsea Fest 2009

Right, here we go... Southsea Fest is a wristbanded event which lets you into multiple gigs all round Albert Road. I missed the majority of it because I was sat in the Kings Theatre interviewing bands. 13 bands in under five hours... I never want to do that much transcription ever again! Anyway, Hold Fast are a top band.

Previously published on mINtSOUTH.com in September 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

HOLD FAST

mINtSOUTH: Tell me a bit about yourselves.
Hold Fast: “We’ve been going a couple of years. Had a few change arounds and Adam is the newest member, came in just about a year ago. Used to play reggae fusion, kind of reggae-dance… actually, that wasn’t entirely serious.”

mINtSOUTH: Can you describe your music?
Hold Fast: “It’s post-punk really. Lots of influences thrown in - too long to list. Atmospheric, quite driven, synths, female vocals; call it death pop.”

mINtSOUTH: Southsea Fest – have you played yet today?
Hold Fast: “Yep, we literally just came off stage.”
Mintsouth: How did that go?
Hold Fast: “Really great atmosphere generally today in there, it’s great. Hot and sticky, the way it should be – Little Johnny Sauna!”
Ben Hold Fast: “Amazing. Massive crowd and everyone went nuts.”
Roberta Hold Fast: “A massive thank you to any one who came in and just packed that place out for twenty minutes. It was insane.”

mINtSOUTH: Any onstage antics to get everyone going?
Hold Fast: “
We played a bit of Scrabble to warm up. We’re a granddad band.” “We’ve laid off the drinking so far, but now we’re going to get on it.”

mINtSOUTH: Any bands you’re looking forward to seeing?
Hold Fast: “Munroe Effect, we played with them yesterday. Strange Death Of Liberal England are playing in a minute. Fresh Legs, Official Secrets Act, Love Like Fire, B Of The Bang in a sec as well, Kill Em Dead Cowboy. It’s an amazing line up this year. It’s just frustrating having to choose between two bands who are on at the same time. Just run around trying to catch whoever you can.”

mINtSOUTH: Which band member would you eat first on a desert island?
Hold Fast: “Well it’s always got to be the biggest person hasn’t it? Toby, you’ve got the most muscles so you’re it mate. All that drumming… You know Bowling For Soup? They’ve got quite a big guy on guitar. He would be the first. We’d get Bowling For Soup’s guitarist shipped in on a plane.”

mINtSOUTH: What do you like your listeners to be doing while they’re listening to you?
Hold Fast: “Having sex. Ironing – not hoovering, because you can’t hear the music properly. Dancing about, just enjoying it and getting involved.”

mINtSOUTH: Gorilla versus bear – who would win in a fight?
Hold Fast: “Gorillas are probably good at punching but the bear has those big claws and big gnashers. Bear definitely, it would tear your face off. It depends what sort of bear really. If it’s a teddy bear…The panda on the advert, the Knorr Panda might [win], but that’s not real.”

Shoutbox - Hold Fast: “We are playing in 93 Feet East on 26th September. That’s going to be cool, it’s got burlesque, loads of bands, DJs, VJs, trapeze artists, so it’s a crazy event.”

http://www.myspace.com/holdfast

Album Review - You’re Smiling Now But We’ll All Turn Into Demons – Contact High

Previously published on mINtSOUTH.com in September 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

You’re Smiling Now But We’ll All Turn Into Demons – Contact High

So I was walking in the forest one day, as one does. Then a magical pixie offered me a mysterious CD full of demons. “This will blow your mind,” she said. “I’ll be the judge of that,” I thought to myself.

This was a true story. Except perhaps it was more of an office than a forest. And the pixie is actually the girl who sits behind me. I’m not sure if she is magical.

Recorded in the creative musical hive that is Nursling, ‘Contact High’ is the third full length release by Portsmouth’s You’re Smiling Now But We’ll All Turn Into Demons. They’ve been releasing music for around six years and describe their sound as ‘psych / drone’ which is pretty correct – there’s an otherworldly, hallucinogenic feel to it and the band love to jam and crash away to themselves.

Starting with a good thirty seconds of feedback, ‘Contact High’ stamps its menacing authority repeatedly into your head. Controlled ferocity bubbles about my ears snarling and whining. My first opinion was that the guitarist should not have been given control of the mixing desk because every other sound is muffled below the fuzzy orgasms of the electric guitar and the crash of the ride. However as it goes on your ears begin to attune to the other sounds and melodies present.

‘Nervous / Alive’ has a surprisingly catchy melody before it descends into clouds and echoes. ‘Out Of Focus’ starts mournfully and is basically two minutes of the band jamming to themselves, the sort of thing it’s fun to do but which can signal a break for the audience to nip off the to bar; luckily here it blends well to become part of ‘Jammin’ On The 13th Floor’, one of the quieter points on the album. ’Calmer’ isn’t the right word at all – it’s not a relaxed tune as there is still a lot of underlying tension to the music.

They’ve all gone a bit wordy with a few song titles (‘The Recidivist’ and ‘Prismatic Reflections’) which makes me fear a Scrabble contest with the band because I would lose quite badly, by approximately seven million points.

The heavy fuzz of Demons suggests they’d be quite a powerful live force although the CD doesn’t quite get that across and I struggled to connect to the sanitised, recorded version. The vocals actually remind me of the Stone Roses and that ‘don’t care’ attitude of the Madchester scene. Despite the frustrated anger in the music it sounds like the songs have been tamed, although they could still snap at your fingers and need to be kept on a leash. Highlights for me are ‘Nervous/Alive’ and ‘The Recidivist’.

‘Prismatic Reflections’ is the band’s magnum opus; their ‘Paranoid Android’, their ‘Revolution 9’. It’s eighteen minutes worth of Last Chance Saloon harmonica, dusty stamping and sexy wah guitar, then the next section is a menacing buzz, leading into disturbing feedback and a whirlwind of noise before eventually braking to a finish. When it came to an end, I was suddenly aware that the real world sounded strangely quiet.

If you like your music with swaggering stoner qualities and a fuzzy snarl of classic metal, then check out the Demons. It’s a bit heavier than the music I usually choose to listen to, but I enjoyed the ride nevertheless.

http://www.myspace.com/thedemons

Live Review - Athlete @ Soul Cellar

Previously published on mINtSOUTH.com in September 2009
Words: Suzy Sims
Editor: Rob Ball
(c) mINtSOUTH.com

LIVE REVIEW - ATHLETE, LOZ BRIDGE, GARY MUNDAY, IDOL RICH, THE L.C.D. + BRYONY MARIE FRY @ THE SOUL CELLAR, SOUTHAMPTON 26/08/09

It’s like musical Tetris, trying to fit Athlete onstage; band members, roadies and Wave 105 presenters are carefully being dropped into place between keyboards and amps and guitars and drums and more guitars and more people.

Wave 105 are there because it’s Their Night at the Soul Cellar. Athlete are there because they have been picked to play Wave 105’s Up, Close and Personal series of gigs which have previously hosted the likes of Frankmusik and Sharleen Spiteri. The roadies are there, because that’s what they do. Never underestimate the power of a good roadie.

It takes roughly an hour for people to filter upstairs until everyone is crammed up close. There is no warm up act, though temperature-wise it couldn’t get much hotter without the fans and competition winners starting to wilt a bit.

Standing front left, just underneath the speaker, I struggle to see most of Athlete hiding behind their equipment. There’s singer Joel Pott in a red checked shirt. Serious-faced keyboardist Tim Wanstall is shielding his eyes as he motions to the soundman to adjust a few settings. Drummer Stephen Roberts is completely out of sight, and I can’t work out how many other guitarists they have onstage.

The setlist takes a few tracks from the band’s latest album, Black Swan, including the beautiful title track which Joel dedicates to his granddad, and the fantastic singalong of The Getaway. Longer-term fans aren’t disappointed either, with Vehicles & Animals’ Beautiful and radio-friendly You Got The Style, and a couple of tracks from Tourist including Half Light thrown into the mix. Throughout the night, the band are friendly and relaxed, though leaving their frontman to do most of the banter with the audience. They’re often criticised for not having much of an edge, but Athlete are always a welcome pleasure to listen to.

The band have always been one for mature epics, and the set closes with a stripped down version of powerful tearjerker Wires, with the rest of the band leaving Joel alone to face the crowd chanting “I see it in your eyes / You’ll be all right.”

The set is sadly over after what seems like a short time. It’s no rest for the wicked though, as mintsouth then hotfoot it across the stage and disappear behind the scenes to interview the band.
http://www.mintsouth.com/2009/09/minterview-athlete/

Afterwards we take a short trip downstairs to see what mintsouth have to offer in the way of acoustic acts. Loz Bridge is just finishing his set as we descend; he’s very intense and the sounds seems to completely fill the small room. Up next are the multiple personas of Gary Munday which keep switching back and forth– Gary#1 is a slightly muffled deep voice, while Gary#2 has a belting voice which wakes everyone up. The acoustic is nicely sparse, but the voice is too shouty. Idol Rich is incredibly understated, so understated in fact he’s almost lost beneath the chattering post-Athlete crowd. He’s very bluesy and beautifully mellow, covering a few songs including ‘Walking The Dog’ and ‘I Just Wanna Make Love To You.’

Next up is The L.C.D. and his incredibly quick tongue. The guitar is almost incidental to this street / beat poet who performs a curious cover of Bohemian Rhapsody. The final act we manage to catch before sloping away is the lovely Bryony Marie Fry whose voice is sweet and spot on; easily the best singer of the night.

Often a little mournful musically but always heartwarming, it’s been a successful night for Athlete. And the drinks were cheap. Hurrah.

Athlete
Wave 105
Loz Bridge
Gary Munday
The L.C.D.
Bryony Marie Fry

Interview - Athlete

Such nice guys are Athlete. They were clearly thrilled to be releasing a new album and I admire their spirit. After parting ways with their major record label they had gone it alone despite the obvious lack of financial backing they'd had in the past - luckily they still pull in the fans. This was the second time I'd interviewed keyboardist Tim - did it once before at Parlophone headquarters. Guessing I'll be back in another couple of years to haunt him with the same question cards. Credit to Tom Cope for the 'gorilla vs bear' question, one which is now a regular addition to the question pack.

Previously published on mINtSOUTH.com in September 2009
Words: Suzy Sims
Editor: Rob Ball
(c) mINtSOUTH.com

INTERVIEW - ATHLETE

Up, Close & Personal is certainly the correct term for Athlete’s show in Southampton. More used to playing venues for a thousand-plus people, the band are playing as part of Wave 105’s series of intimate concerts at the Soul Cellar – and it was certainly a tight squeeze to fit crowd and band into the venue.

Upstairs after the show, Joel Pott (lead vocals, guitar) and Tim Wanstall (keyboards) relax on a sofa as the rest of the band make a quick escape. Switch on the dictaphone, hand out the question cards, and here we go.

“Oh, coloured cards,” notes Joel. Yes, I’ve got a GCSE in Art. Tim is giving me a strange look. He’s suffering minor dĂ©jĂ  vu but hasn’t realised this yet....

How are you enjoying Southampton? Joel: “We turned out and we soundchecked and went out for dinner. I went to Buffalo Bill’s and that was really good, was it not?” Tim: “I love coming here. Last time we were here we were at the Guildhall which was memorable because it is such a beautiful venue.” They must enjoy their time here, as they’ll be back in November for a gig at the university student union.

Last CD you bought? “No-one buys CDs anymore!” laughs Joel. “Last CD I bought was Moderat which is a combo of an artist called Apparat and a guy called Modeselektor. I do recommend it if you like electronica.”

Tim: “I think the last CD I bought was the best of Yazoo.” Joel laughs wickedly. “Love it!” Do you want me to edit that out, Tim? “No way, go for it! I’m working through Depeche Mode and I just thought this is part of the story so I checked it out, but I don’t like it as much as Depeche Mode.”

Athlete are lucky to have their own studio. Mintsouth’s wordsmith interviewed Tim a few years back in which he was explaining about the band’s newly built studio. Tim vaguely remembers us from his hazy past. “In Parlophone’s offices? Did we do this?” he keeps asking. Yes we did do this, we’ve practically recycled the same question cards. How has the recent recording gone?

Joel: “We recorded most of the record out in LA but then we came back to London. We also did some where we were in our studio in London and our producer Tom was in LA - but we had some weird voodoo thing going through the computer to link us up real-time so he could be recording us in LA.”

Tim: “As in he would press space bar, and then our computer would start playing.” Joel nods in affirmation. “It is weird.”

Has it been helpful having your own studio? Tim: “It is great, so whenever we fancy doing anything we can just go. I think it’s the way it’s going now; there’s not the money around that there used to be. Loads of studios are shutting down because people can’t afford to go into them so I think every band will have their own studio in the future.” You haven’t been renting yours out to people? “To mates at mates’ rates,” says Joel.

Didn’t you play V Festival this year? “We did.” How was it? “It was amazing,” says Tim. A little bit bigger than the Soul Cellar, one would presume. “It’s so much bigger than the last time we went as well. We had a nice little slot at about 5’o’clock in the afternoon, and it was just like everything aligned and it was perfect. There was a massive crowd and the sun was out.”

Joel agrees. “We were on top of Alisha Dixon and underneath Katy Perry. A good place to be…!” Did you do both or just one of them? asks mintsouth, before realising what we’ve said. We meant the festivals. Athlete knew what we meant but still explode in snorts of laughter, “We did do both of them, yeah,” said Joel after he’s calmed down slightly. “But one was better than the other.”

Tim considers the situation. “At festivals you play slightly shorter sets. It’s great playing festivals on four records because it’s beginning to feel like how Chelsea have to leave a substitute on the bench who’s a little bit too good to be a substitute, and it’s quite nice choosing songs.”

Joel is impressed. “That’s a really nice analogy, I like that.” “It’s like we can’t even play all our singles any more in one go,” says Tim.

Fiction Records is their “new home” since Athlete parted with their previous record label, Parlophone. Joel: “To give you the story, we released our record about two weeks after the stockmarket crash, and then two weeks after that EMI froze all their budgets.” After a bit of consideration, the band and the label went separate ways “so we just got on with making a new record and it was brilliant.”

“Fiction’s great, to be honest I can’t believe we ended up being on a label like that at this moment in time. It’s hard for bands to get signed and a label like Fiction, you’ve got Snow Patrol, Elbow and White Lies, so a really good roster and a really good history as well, like the Cure.”

Tim: ”One of the things I like is that at the point of arriving at Fiction, some of those bands like Snow Patrol and Elbow were a bit like us really, they’d had a few records under their belt. It feels like it’s the kind of label where it’s not about what’s trendy right now, it’s about believing that a good artist can make good records for a long period of time and I think in some ways because money’s tight that’s rarer and rarer these days, so we were really fortunate to find a home like that.”

Athlete has a European tour on the near horizon and will be travelling to all the exciting places like Vienna, Cologne, and… Southampton. Joel: “Copenhagen as well. There’s something really nice about touring Europe at that time of the year, you can still sit outside a bar or a cafĂ© and have a beer and maybe have some good weather. Nice cities to wander around and sample good alcohol!”

Tim “It always feels like we go to Germany during Christmas time which is always quite magical – they do it a lot better than we do – and this year it’s October, so it’s going to be Oktoberfest – slap your thighs, do all of the German Morris dancing and all that. And then the beer.”

Athlete – make up your own question, we order. Joel puzzles for about two seconds before settling on what is your favourite beer? “It’s getting a bit boring now, but for about a year Sierra Nevada’s been top of the list,” says Tim. “Mine would be a pale ale as well but it would be Farmer’s,” says Joel.

The band have recently put their support behind Save The Children’s Make Your Mark campaign. Joel explains. “There’s just millions and millions of kids who don’t get clean water, something we take for granted, so it’s raising awareness about that and about other things that children around the world have to deal with and the poverty that they live in, and getting people to go ‘I want to voice my concerns about that’. There’s petitions to the government to get them to stick to stuff that they’d promised to do, by putting your thumbprint as part of the petition.”

The band’s latest press release gives a few reasons why such a charity would mean a lot to them. Both Joel and Tim’s partners miscarried around the time of the Wires release (2005) and such major shocks mean they’ve had a rollercoaster few years.

Black Swan moments are the significant lows – and highs - which can quite literally alter your life. Black Swan is also the title of the band’s fourth album. Tim visibly brightens when we ask him about it. “It came out a couple of days ago. It’s really, really exciting because you know, it might not have happened. It’s the fourth record and we made it without a record deal, and you can’t take these things for granted. I’m as excited as I was about putting our first record out.”

“And I read a good article about [a music journalist] where he was saying that melody isn’t really important to the rock critic, which I found quite disappointing because I really like melody in my music! So yeah it’s a record full of melody and it’s got the most amazing artwork ever. I don’t think there’s any way if you went into a record shop right now you would find a cover that looked as good as ours. There’s a special version with a fold out poster, and it’ll be worth buying the vinyl because then the poster is six times bigger.”

We heard it was Ken Bruce’s album of the week on Radio 2 recently. “What a lovely man,” twinkles Joel.

Are there any particular tracks which are standout ones for yourselves? “Black Swan Song. It’s a song about my granddad and his various battles throughout life and triumphs, and I think that is a special song,” says Joel.“ ‘The Getaway’ which is going to be a single, that’s going down really well live which is great. I think one of my favourite little moments is an acoustic song called Love Come Rescue, because it’s just me on my own.” He laughs loudly. Don’t take it personally Tim, but… “Only joking!”

Inspired by all the one-liners floating around the media after the Edinburgh Festival, we ask Joel and Tim to tell us a joke. Joel is not a fan of this question, and Tim picks the first ever joke he learnt: “There are two bowls of sick and they’re leaving a town, off to somewhere else. One of the bowls of sick is crying and the other one says, ‘Why are you crying?’ And he goes ‘I’m really upset.’ ‘Why is that?’ ‘Because we’ve left that town. That’s where I was brought up.’” Groans. “That was terrible!” “But if I was five, you would think it’s quite funny,” says Tim defensively.

“My daughter‘s six now, but when she was about five she went through a stage of Knock Knock jokes but she was just getting the grasp of it. She learnt one which was: Knock Knock - Who’s there? - Big Ish - Big Is-who? and then you go ‘No it’s all right mate, I’ve already got one’.” Tim: “Did she know why it was funny?” “I don’t know,” says Joel. “Because the one after that was: Knock Knock - Who’s there? - Knock Knock – Who’s there?” It’s a classic. It’s the joke that never ends.

Mintsouth tells its only clean joke: Why does Snoop Dogg carry an umbrella? Fo’ drizzle. There is a tumbleweed moment, and we hurriedly move on.

The final question is that perennial puzzler - gorilla versus bear. Who would win in a fight? “Bear every time! Because Steve is our drummer and we refer to him as the bear because he’s a big, cuddly bear,” says Joel instantly.

“What if it was gorilla vs grizzly bear? Then you might go gorilla,” muses Tim. Joel: “Probably. But it depends on my mood. But I’m going for bear because of our bear. Sweet.”

http://www.athlete.mu

Live Reviews - Openroom and pals, Flamboyant Bella and chums

A couple of live reviews here from Southampton Joiners, one of my favourite little venues.

Previously published on mINtSOUTH.com in August 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

OPENROOM, A STRANGER IN MOSCOW, FOREVER WEDNESDAY + SELECT YOUR DISGUISE @ SOUTHAMPTON JOINERS 31/07/2009

It’s not often a review starts with a thank you. Big up to the staff at the Joiners who discovered my mobile on the floor after the Openroom gig and who kindly kept it until I could pick it up. I’m very grateful. All my review notes were on there. It would have been no big loss to the world of music journalism had they been lost, but sans phone I wouldn’t have been able to sneakily check Facebook while at work. That would have been terrible. So thank you, Joiners.

The Friday night partygoers were out in force, glowsticks in hand, ready for a night of running around in circles and pushing each other in front of the stage. First on were Select Your Disguise. I’m convinced they only actually played a couple of songs as their tunes lasted about four years apiece. Like all good epics, they were passionate and full of variety, switching between pop punk and some metal. The singer was clad in a yellow t shirt advising KETAMINE – JUST SAY NEIGH. SYD were full of vitality and energy and the crowd demonstrated their approval with a Can-Can.

Next up came Farnham's Forever Wednesday, a band who appeared to have forgotten to lend the drummer their hair straighteners before going onstage. No matter; he was kept at the back. The Wed had a fuller sound that was played relentlessly, all full of galloping charges and dramatic echoes. There’s a bit of light entertainment with a cover of the Fresh Prince Of Bel Air theme and everyone is invited onstage at the end.

The tones became darker again as A Stranger In Moscow appeared. Sound-wise, they were far bleaker than the previous two acts. There is a sense of urgency about them, in the dark instrumental breaks and whistling wind noises. The music plays on and on and on, almost bringing you into a trance. It's not all doom and gloom however, as A Stranger In Moscow wished happy birthday to a lucky gel in the front row; just like the bands before did, and just like the headliners would. The crowd continues to jump and mintsouth's snapper almost loses his lens to a stray elbow. It's that sort of night.

After the darkness and the brash punk pop, it was something of a light surprise to hear the warm indie dance of Openroom. The violence in the mosh pit is briefly forgotten as everyone bounces happily, encouraged by the frantic beats and keys. There are a few technical problems but all keep on singing. Big tunes and delicious hooks make Openroom a popular choice for headliner. They’re certainly one of the best acts in Southampton at present. At the end, one by one, the crowd start clambering onto the stage while a lone security guard waves ineffectually for them to get off. Stage invasions to Openroom – an ideal way to start your weekend.

Select Your Disguise
Forever Wednesday -
A Stranger In Moscow -
Openroom

-----

FLAMBOYANT BELLA, FRESH LEGS, 10P SHORT, + ECHO CHAMBER @ SOUTHAMPTON JOINERS 23/08/2009

There was a very young crowd at the Joiners for Flamboyant Bella. VERY young. When I walked in, the average age shot up to around 20, and I’m sadly way older than that. I was a bit worried I’d be kicked out for not having student ID, or a mother patiently waiting in the car to give me a lift home.

First onstage were Southampton pop makers Echo Chamber, recognisable to anyone who caught the Rumble Strips set at the Joiners earlier this year. I like Echo Chamber. They’re just so damn pleasant. Their bouncy melodies are just right for the close of the season; warm and fun but with enough bite to avoid that hazy sappiness you often get with ‘summer’ songs.

The vocals were a bit muffled, the white shirted drummer looked like he had just come from a job interview at a bank and the harmonica goes missing at one point, but they are thoroughly enjoyable and the hook to ‘The Hounded’ really scampers round your head and it impossible to shake.

The next support were Short of 10p. Short of ten pence, they were also short of style, songs and a decent name. The band members look like they’d been plucked at random from shoppers at the Tesco Express and they keep gurning and bobbing their heads which makes me want to throw something. I won’t deny they can play their instruments well and tunefully and have a much fuller, stronger sound than Echo Chamber, but their boy band harmonies are a bit naff, they start plugging their merchandise after the second song (£5 for a CD is a tad optimistic – people were paying less than that for ‘In Rainbows’ for christs sake) and getting the audience to join in on a singalong takes some balls when no-one knows who you are.

The final song would not have been out of place on an American teen movie soundtrack. You know, on the bit where there’s some sort of party at a mansion and the girl is driving there in the rain to fall into the arms of some hunk. Or that’s the image it evoked. There’s also a weedy ballad and another reminder to buy some merch. I’m sorry boys, I just wasn’t feeling it.

Also with a bit of a crap name are Fresh Legs, but the band let the music speak for themselves instead. They’re quite similar to Johnny Foreigner or Hot Club de Paris in the jerky and yelping department but with a more rewarding sound overall, and the songs are as fresh to the ears as the name promises. Front-woman Ella has a voice which alternates between cute and belting and the perfect detached stare you need to own the stage. Tonight she’s rocking the Fifties glamour swimwear look, while the lads are in checked shirts, arms aloft and shouting at various intervals.

They admit to being nervous in the presence of Flamboyant Bella (whose members are dancing in the crowd) but it doesn’t come across and the Legs sound very self-assured and powerful. ‘Chess’, ‘Castle’ and ‘House’ get outings, and it’s a captivating set.

Flamboyant Bella are very proud of themselves, and they have every right to be. “This is our last unsigned gig,”announces belle Flo Kirton to applause. The band are visibly thrilled to be signing their record deal on Tuesday – “Bloody brilliant!” exclaims Flo throughout the night, whenever she’s referring to the step up in their career, the crowd, the Joiners, the support acts, and pretty much everything else.

“Innocent flirtation never hurt nobody,” they sing, and this sums up the band well. Pretty, cheerful and enthusiastic, Flambo, -as everyone calls them - are near impossible to dislike. Flo is in a shimmering black top which catches the light, while other vocalist and synth magician James McBreen has gone for the polka dot Hot Chip look.

The set gets rowdier and rowdier as it goes on, including ‘Touch’, next single ‘Get A Reaction’, and closing with ‘Absolutely Wankered.’ Not many people in the crowd are that inebriated due to not being the right age to buy their own drinks, but the sentiment is appreciated. Flambo put on a good show and I’d like to see more of them. I’m sure I will.

http://www.flamboyantbella.com/
http://www.myspace.com/thosefreshlegs
http://www.myspace.com/echochambertheband

EP Review - Jazica 'Illusions'

The first few lines were written by Tom Cope, my long-term male companion (six months is a long time, right?) and partner-in-crime in what we jokingly refer to as 'The South Coast's Premier Review Team' (I do words, he does pictures). He was meant to be writing the whole review but put so much effort into the opener he wore himself out and I had to finish the rest.

Previously published on mINtSOUTH.com in June 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

EP REVIEW - JAZICA 'ILLUSIONS'

The year: 1982. Across a smoky, sweaty bar, an electric guitar and a synthesizer lock eyes...

Fast forward to the present day. The product of that unholy union is Jazica, a confusingly named pop quartet based in Southampton. Jazica display good timing. Not only has their profile been raised with their entry into the Road To V competition, but my copy of the 'Illusions' demo mini-album arrived on my doormat on my birthday. Thanks guys.

There are two sides to the Jazica coin – the soft acoustic thoughts of the singer/songwriter, and the frenetic electro pop charging headlong synth-first into things.

The title track is a surprisingly downbeat electro with Frankie sounding quite angry in places. 'Come, come, come, stay over'. It’s very frothy in the chorus, with wailing synth sirens and unexpectedly raw rock guitar. The band might be labeled as ‘pop’, but that doesn’t mean they’re wet, and this guitar line stamps its feet and demands attention.

I’m a big fan of the delightful rainbow electronics present on 'Arp Attack' with softly sauntering vocals. However I wasn't too big on the Rhys-mix version for a couple of reasons, a) I don't really like remixes. Sorry, and b) there wasn't any major difference to the original. Also 'Keep Up' doesn’t quite hit the same mark. It’s a bit all over the place, with rushed sounds and densely huddled keyboards which sound slightly out of step. 'Flash Flash' has a very Eighties power ballad start and dark overtones countering the colourful hyperactivity.

The gentler sounds include the looped vocals over and over in ‘Boy’, with its soft percussion and childishly naive keyboard hoops. 'Never Never Never' is a sort of personal note, almost like the band aren’t expecting anyone to be listening in to their inner musical thoughts. 'Dreamer' is relaxed summer pop, fluffy clouds held down by the gravitational pull of the deep bass; the sort of tune you listen to while slumped in the garden not doing very much, watching the fluffy clouds overhead.

‘Illusions’ is primarily charming and innocent electro pop, with some raucous anger and a bittersweet slice of melancholy pie. The ‘Illusions’ mini album isn’t an official release, but it can be purchased at gigs. With their entry in The Road To V competition the band is pretty much jumping up and down waving while trying to bring attention to the South Coast music scene, and may they get everyone’s attention doing so.

http://www.myspace.com/jazicamusic

Wednesday, 14 October 2009

Review - The Rebs, Jazica, Andy Hunt, Samuel Tingman and Rachel Guyer

I'm quite used to going to gigs by myself, but this was one of those times where everyone seemed to know everyone else, and I felt a teensy bit out of place.

First published on mINtSOUTH.com in June 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

THE REBS, JAZICA, ANDY HUNT, SAMUEL TINGMAN & RACHEL GUYER @ TALKING HEADS, SOUTHAMPTON 09/06/2009

I didn’t break my chair. Honest, I didn’t. At the Talking Heads, the one seat I chose to rest myself on was particularly creaky and if I shifted, it juddered like it was made of Twiglets which had been stapled together.

The chair occasionally distracted me from the music. A Max’s Records night, it was also a bit of a South Coast Road To V meeting, with one previous winner and one current finalist onboard tonight.

The first act onstage were Samuel Tingman and Rachel Guyer. I didn’t catch all of their set owing to a late-running dinner date with Colonel Sanders, which was finger-lickin’ good. When I arrived the guy/guitar and girl/piano team were struggling along painfully. The vocals are earnest but there are too many stop-starts and a slight inability to play in time with each other. Bands are supposed to gel not compete with each onstage, which is what it sounded like.

Next up is Andy Hunt, clothed like he has just breezed in from a US Civil War battlefield stopping off to borrow some hair from the mid-Eighties. Alternative rock is certainly the description. It’s strangely compelling. He’s a true one man troubadour, singing songs about politics, war, armageddon, Creation and the Book of Revelations – yes, there is a very strong religious theme present - in a classic rock/metal style, a bass guitar lying to one side adding some extra clout and notes of doom. Many of the young ‘uns in the crowd aren’t entirely sure how to react to this dramatic force and back away nervously. Lyrically and musically heavy in nature, it may not be to everyone’s taste, but kudos to Andy who is a talented musician and clearly believes strongly and passionately about the messages in his songs.

Hoping to open this year’s V Festival are Jazica, one of the six finalists in the competition. Their set was hit by a few technical difficulties which rendered the vocals completely silent at some points, but the band shrug this off and play on. Singer Frankie tosses handfuls of glittery confetti into the air adding to the party atmosphere of their fun juicy electro pop. Guitarist Chris is blundering about in front of the stage where there would have been a mosh pit had everyone not been hiding at the back of the room, and Frankie’s looping vocals are mesmerising and innocently attractive. The band are sunny with a mix of gentle floaty songs and full-on blastings of sound. They also nervously showcase some newer material, and it’s a thoroughly enjoyable set.

And back to the wonky chair. I was sitting down to deliberately annoy headliners The Rebs. I’m not always out to wind people up, but my feet hurt from standing up all night and the band kept exhorting people to stay on their feet, so I decided to rest mine. They seemed quite cocky so I figured they’d be secretly pleased with this minor act of rebellion. With a traditionally British rock and roll sound dusted in Sixties organ notes, the band are very confident onstage, personalities clustering together and almost bundling each other off. The bassist has some impressive twitchy dance skills. The Rebs opened V Festival last year after winning plenty of votes from the public. Sadly it doesn’t look like they have any equally big gigs so far this year but give them time; give them time.

The Rebs - http://www.myspace.com/therebsmusic
Jazica - http://www.myspace.com/jazicamusic
Andy Hunt - http://www.overwatermusic.com

Interview - Jazica

Not my finest interview really. Think my mind was elsewhere. I do remember turning up very early and wandering up and down Portswood High Street aimlessly, then eating junk food. The band were very sweet and sent me a CD later on. I particularly like their fizzy electro pop bits, like Illusions and Arp Attack.

First appeared on mINtSOUTH.com in June 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

JAZICA @ TALKING HEADS, SOUTHAMPTON

mINtSOUTH recently caught up with Jazica – aka Frankie (vocals, synth, guitar), Chris (guitar, synth), Nick (bass) and Kev (drums) –in the beer garden of the Talking Heads.

Can you tell me a fact about the person to your left?
Jazica look fleetingly panicked. “No, not that one!” says Chris. “Not that, it’s quite rude!”
Kev: “Why is this becoming difficult?”
Frankie: “You’re thinking too much!”
Nick: “What was the question?!”

Let’s forget that and start with something less likely to end in spilled secrets and tears. How did Jazica start?
Frankie: “I sat next to Chris in Soul Cellar. We just got talking and I was like ‘oh, I want to start a band, I need a lead guitarist’ and he was like ‘Oh, well I need a vocalist.’ And then I rang him up the next day and we made some music.”

The band have been going since late 2006, Chris explains. “Me and Frankie did a load of acoustic things and then Kev came in - he was on my course at uni - and then we got Rob on the bass. Now Nick’s on the bass. Nick filled in for us last summer when Rob was away.”
Kev: “He’s like our summer bassist.”
Chris: “But now he’s back for good, as Gary Barlow would say.”

Are you still studying at the moment or are you working full time?
Kev: “We’re all finished now and sort of deciding what to do jobswise.”
Chris “I’m currently unemployed and very poor. So this is my fulltime job.” mINtSOUTH expresses sorrow at this. “It’s good, I enjoy it. I’m getting fed tonight!”
Frankie: “I do temping and casual work. I don’t know, we’ll soon see. Ask me next week!”

What influences does Jazica have? “Many and varied,” says Kev.
Frankie: “The most influential thing for me is just my surroundings. I think the thing that influences my music the most is people.”
Chris: “We’ve all got kind of different tastes in music. Frankie likes drum and bass and a bit of acoustic, I like a bit of prog rock, and Kev likes a bit of prog rock, and Nick likes…”
Nick: “I like indie and heavy prog rock actually.”
Chris: “We’re a prog rock band…”
Frankie: “…with an electro twist.”

Jazica has made it to the final of the Road To V competition. Two of the six bands left will be given the opportunity to open the V Festival this year if they pick up enough support. How did Jazica get involved?
Frankie: “Just fill in one of those forms on the Internet. A bit like a job application.”
Chris: “I set up a little profile on the website and then forgot about it for a few months, and then I woke up one morning with a guy saying ‘You’re in the semi finals of the Road To V’ and I was like…”
Nick: “He wasn’t in his house, he was ringing him!”
Chris: “He didn’t wake me up, on the side of the bed tapping! So that was how we found out. And we went down to Brighton and did a gig at Coalition as part of the Great Escape, and that was the semi final.”

How did that go?
Kev: “A surreal day...”
Frankie: “It was fun. Really hectic when you’ve got loads of production crew running round. Needed a lot of energy but I think we just about made it.”
Chris: “We had to kind of sell ourselves as well, which was a bit rubbish. We only got a 15 minute set.”
Frankie: “But it went well. It did go so quickly, like as soon as we got onstage we were off again. A lot of adrenaline. I don’t think I’ve ever had so much adrenaline in my body.”
Nick: “The people running it made you really nervous as well because they kept coming up to you going ‘Are you all right? Are you all right?” [panicky voice] “I’m only playing a 15 minute set, leave me alone!”
Kev :“The shoving a camera in our face literally before we walked onstage wasn’t particularly nice either.”
Frankie disagrees with this. “I quite liked it, it kind of hyped me up.”
Chris: “They did loads of filming and then the programmes they’re putting out are five minutes long. And the last thing we were on it was like – there we are!”
Nick: “With someone else’s music over the top. Not that we’re complaining mind, we’re very fortunate to be involved in the competition!”

Do you know much about the other bands involved in it?
Frankie: “Yeah I’ve been getting quite into it, seeing what the competition’s like. It’s all so different, each band’s got its own little thing. If a lot of people watch it and a lot of people judge the bands, it’ll be a fair judge because everything’s so different it’ll be the path where everything’s going. Hopefully that’s our way, which is kind of electro progressive rock apparently!”
Chris: “There’s a couple of good bands in the competition. One of the best ones, Dimbleby and Capper, didn’t get through for some reason. But there was this one band that weren’t all too great but did get through. I won’t say any names. And then there’s another band who was good and did get through.”
Nick: “And us!”
Kev: “There’s no actual final gig, everything’s all on the Internet."
Chris: “We’re doing a nice photoshoot for NME so that should be good.”
Kev: “You can’t see how many votes you’re getting but you can see how many fans are registered to you, so you can kind of get an idea how you’re doing.”

Have you ever been to V before just to watch?
Frankie has: “I went ages and ages ago, it had an amazing line up – Placebo, Red Hot Chilli Peppers, Foo Fighters.”
Chris: “I’ve been most years for the last six or seven years. It’s always good.”

A random man walking past in need of a light asks if anyone in the band smokes. The answer is a resounding no. “What sort of rock and roll band are you?” the man jokes. “That’s Grant from Toupe,” explains Nick. Kev nods: “Very funny man.”

What other plans have Jazica got for this year? “We just started a little stint recording, so probably try and get some songs written and recorded, keep things moving, keep gigging,” says Frankie. “To get a single out would be brilliant.”
Chris: “We’re hoping to get some kind of management deal out of Road To V. Any little things, just to get our foot in the door.”
Nick: “I think we’d all quite like to do a tour but they’re so hard to organise.”
Kev: “It would be nice to have an agent that could go out and do it.”
Frankie: “When we all get jobs and money then things will get easier.”

Back to the band fact question, and this time Jazica are ready.
Frankie: “Kev has always got a beard.”
Kev sounds puzzled. “Apart from the times when I don’t. I didn’t have one at all for Brighton.”
Frankie: “For one day! Chris wears tiny, tiny t shirts.”
Chris: “This is from the H&M kids section.” It reads ‘Siberian tigers can eat as much as 45 kilograms of meat in one night, enough to make 400 hamburgers.’
“Education. And t shirts,” nods Chris. Edutainment, is that the plan? You’re having fun but teaching a serious message as well.
“This is what Jazica is all about, I can’t believe you have worked it out!” laughs Frankie.

http://www.myspace.com/jazicamusic

Dan Black @ The Great Escape, Brighton 2009

Oh Lord, I was so not up for this. Got up in the morning, carried out two interviews, watched countless bands, and now I was going to be interviewing poor Dan Black after midnight. Brighton was bitterly cold, there was a strong wind... I felt marginally better after a cosy nap but managing to get up on time again was a close run thing. Dan Black was probably equally confused by the working late thing, but then again he was due onstage at 2am so would be getting even less sleep than me. Pleasant chap though.

First appeared on mINtSOUTH in May 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mINtSOUTH.com

DAN BLACK @ THE GREAT ESCAPE, BRIGHTON 2009

Dan Black is a tired man. “I’ve kind of gone through a barrier about an hour ago. If we’d met up an hour ago, I was a husk of a man,” he admits.

I was meant to be interviewing the electro-popper in the Coalition a few hours before his set as part of the Lovebox late nighter. We hadn’t counted on the fact there was insanely loud dance music and no backstage area in which to hide. Instead the tour manager grants me permission for a quick outing so we brave the bitter wind and speckly rain, cross four lanes of traffic and dash into the lobby of the Thistle Hotel. This is where the delegates tend to hangout in daylight hours, and the security man who inspects Black’s artist wristband smiles at him and says “Welcome home.”

Previously the front-man in The Servant, Black has recently been gaining attention on his own as a full fledged, quirkily dancing pop star.

Can you describe yourself in five words for people who haven’t heard your music before?
“’Cause you’re a journalist, and I’m a musician, that’s like me saying to you, ask me a question in five musical notes. But I’m going to play the game anyway. My music is… really good? I insist you put the dotdotdots in it. Convey the hesitation and the searchingness. Or, ‘my music is, er, good.’ That’s five words. I’m proud of that.”

He hasn’t been able to take see much of the Great Escape Festival as he only arrived in Brighton at 11pm. It’s now heading for half past midnight.

“I’ve seen 80Kidz, from behind the stage. I weirdly knew them, had MySpace chats with them. They got in contact with me and it’s just total coincidence that we’re on the same stage. It’s their first ever UK show so they seemed at first a bit nervous, but by the time I had to come out they were still playing and they were jumping about and did really good.”

Are you sticking around tomorrow to catch any more bands?“No. We’re on at 2am and then I’m supposed to go straight back to London and get on the Eurostar. Not sure where my sleep’s supposed to happen in that scheme. I’m trying not to think about it but I’ve got a feeling that about 7am I’m going to be in a dark, unpleasant place in my head!”

What are Black’s plans for the rest of the year?
“Try and stay alive. Try not to work myself into a cinder.” How are you getting on with that so far? “It’s touch and go, if I’m honest.”

You’ve been in Europe recently haven’t you?
“I was in Milan recently, and I live in Paris, I live in Europe. Having said that, Great Britain is technically in Europe. We’re still in Europe now.”

In between all the travelling, Black is looking forward to the release of his debut album Un. “It’s out on July 6th. So not long to go yet. Six of your Earth weeks.” Have you got any messages for people to make them buy your album? He laughs. “If you don’t, I know that horrible secret that you don’t want anyone to know I know. And if you don’t want anyone else to know, buy my album. And that’s true for everyone who reads this interview.”

Un is quite obviously a French word, and all the press releases talk about Dan Black from Paris. “I’m 100% Anglais. I grew up in a little village in Bucks, then I lived in London for quite a long time, and then I moved to Paris.”

Are you looking forward to the album coming out? “God, yeah. It’s been very fast but very, very intense. I made it all on my own, which may be a stupid idea healthwise, but I’ve made albums before and other things and I decided I wanted to fail on my own terms or succeed on my own terms. I just can’t wait to see what people think really, to know it’s out there.”

There are a lot of newer bands around the Great Escape trying to make it big and get everyone to their shows. We ask Black if he has any tips. “I guess my advice would be if nobody comes, but you really think you’ve got something good, and if it’s your passion in life, then persist. I’m living proof that persistence can maybe slightly pay off.”

How long have you been persisting for? “12 years? Maybe 14 years? Life is long, stick it out for the long haul, and try to find out what gives you the most pleasure. If you like making music and you enjoy the process of all of it and the slog of it is actually fun, then do it. But if it’s a route to something else, the odds are pretty small that it’ll get to that place, and if you got to that place you probably wouldn’t like it anyway. Look yourself in the mirror and go ‘I love making music, I like sitting in Transit vans going up and down the M1’ - if that’s a pleasure in itself then you’re in the right job.”

To finish, we have a quick chat about Brighton. “I like Brighton a lot. I have a lot of memories here. I came here when I was young, when I had friends here who were studying. One of my favourite books is Brighton Rock by Graham Greene and I like the sense of Everyday is like Sunday - ‘trudging slowly over wet sand’. Coming to English seaside towns when it’s cold and wet, there’s something really beguiling and moving. No-one goes on holiday to UK coastal towns any more so there’s something kind of sad and beautiful about it."

“Brighton’s one of the bigger ones but something innocent has gone now. I mean there’s a pier, who genuinely now goes ‘Wow, a pier!’ whereas I remember when I was a kid I did genuinely go ‘Wow, a pier!’ But now we want lasers and flipping Pepsi pouring out and Buzz Lightyear on everything. I like the fact that there’s something a bit dilapidated and quaint. I’d like to live by the coast one day. “

Ah, one day perhaps. But before that we cross over four lanes of traffic and return Black to the capable hands of his tour manager. It’s almost 1am and there’s a gig to prepare for.

Monday, 5 October 2009

Intervew - Thomas Tantrum @ The Great Escape

I do enjoy a bit of Thomas Tantrum... very colourful sounding music. The first time I saw them play they looked oddly familiar but I couldn't place them... got very confused until I realised I'd been in A Level Communication Studies (yes, it's a real qualification) with the bassist. I got a C. He joined a fantastic band. I think we all know who won that one.

First published on mintsouth.com in May 2009
Words - Suzy Sims
Editor - Rob Ball
(c) mintsouth.com

THOMAS TANTRUM @ BRIGHTON'S GREAT ESCAPE 2009

The skies are grey above Brighton. We’ve rounded up a few of Southampton art-punk-poppers Thomas Tantrum and herded them outside. David Miatt (guitar), Jim Shivers (bass) and new recruit Dave Wade Brown (drums) are stood round the back of the Thistle Hotel underneath the canopy. The Great Escape is in full swing and there are various delegates and musicians sat on the hotel steps smoking or taking in the fresh (damp) air.

Dave M: “The worst thing about the rain is you wear stupid footwear and your socks just get soaked, it’s really uncomfortable.”
Jim: “Someone’s got to be doing promotional umbrellas or something…”

Dave, how are you fitting into the band?
Dave W: “Yeah, really well. At first it was kind of like ‘What do I do?’ a little bit. But I think now we’ve been playing for about a month and a half together and a lot of writing and rehearsing and stuff and it’s really coming together.”

Have you played The Great Escape before?
Jim: “Yes. Played last year in the Waterfront, but it’s gone now. I think they have renamed it.”
They should get rid of Concorde 2, that’s ten miles away.
Jim: “Or they should just move it, just drag it in.”
Dave M: “We were considering doing a guerrilla gig but our singer’s not getting here ‘til tomorrow, so we could maybe have a jam on the street under a different name. It’s probably a bit too late now. Could do a bit of busking because we’re quite broke.”

Have you been to see many bands already so far?
Jim: “Last night, who did we collectively see... Pulled Apart By Horses, and Dave went to see Evan Dando and was not disappointed.”
Dave M: ”Well I was a bit disappointed, he didn’t say anything and he was just going through the motions. It’s because he’s teetotal and he’s married and he doesn’t give a shit. He could have at least made some funny quips. He just looks really bored.”
Jim: “So I’ve classed him now as the new Ryan Adams.”
Dave W: “Sorry Evan. You’re cool really.”

Who are you off to see tonight?
Jim: “We’ve got a bit of a dilemma at 10’o’clock between Screaming Tea Party, Holy Fuck and Times New Viking.”
Isn’t Holy Fuck a DJ set?
Jim: “They’re playing as well, after Metronomy. I’ve seen Metronomy before and they’re pretty good.”

Are there any local-ish bands you’re looking to catch?
Dave M: “The only band I’ve noticed who are from Southampton is called Jazica but I’ve never had the chance to really check them out before. I didn’t realise that Fresh Legs were playing actually. Oh shit they played already.”
Dave W: “They’re getting better, every time I’ve seen them they’re just getting better.”

What festivals are you playing this summer?
Dave M: “We’re doing Summerfield, Blissfields, Sellindge.”
Jim: “A new festival in Belfast. The name is unknown, should be quite fun.”

Are you doing Bestival again?
Jim: “Not yet, hopefully we’ll get a spot.”
Dave M: “As soon as we release something, we’ll probably get more offers coming in.”

What else have Thomas Tantrum got planned over the next couple of months?
Dave M: “Hopefully releasing a single soon but before we come back and tour again we want to build up even more songs, maybe even an album’s worth. We’ve already started recording, we’ve got a new song called Sleep which is a candidate for the new single, but it’s early days yet.”

Talk about sleep, are you getting much this weekend? Jim: “Oh no, no.” How are you feeling today? “OK now actually.”
Dave M: “I went to the shop and I got these guarana seeds. They put the active ingredient in Red Bull and stuff, but these are actually from the rain-forest. Do you fancy one? You have to crack it open, put it in your mouth and suck it for about ten minutes, until it goes soft, then chew it for a bit. No no, you have to crack it out of its shell! I did say that!” [mintsouth are incapable of following simple instructions].

Are these a legal high?
Dave M: “We don’t get high. We’re anti-drugs, apart from a good scrumpy.”
Jim: “Life is the high we need. So yeah we drink a lot of scrumpy. And health seeds.”

Have you got much planned for your stage show? (Thomas Tantrum closed the weekend at Hector’s House on Saturday night)
Jim: “We’re thinking about props. It’s a dangerous game I know.”
Dave M: “We’ve got a new song called All The Bees. I was thinking of having tennis ball-sized bees hanging from bits of cotton, but I don’t know where we’d get these from.”

For a second I thought you were going to say you’d let bees loose on the crowd.
Dave W: “Take the sting out and let them fly around.”
Dave M: “In Japan they get a wasp drunk and then they tie a bit of cotton around it, and then they actually take it around like a pet. My friend told me that.”
How many people do they know who have got one?
Dave M: “None.”

It’s almost time to go back inside…
Jim: “Give me a provocative question.”

MP expenses – what’s your opinion?
Jim: “Bloody awful! Do you know what? If I was an MP and it was offered to me, I’d take a second home. It’s the system that needs correcting. MPs are just, you know, if you’re going to be offered it, you’re going to take it.”

http://www.myspace.com/thomastantrum

Interview - The Maccabees at The Great Escape

I was getting really angsty before this one, due to the fact the photographer was running 20 minutes late and there wasn't much time available...

Words - Suzy Sims
Editor - Rob Ball
First published on mintsouth.com in May 2009
(c) mintsouth

ORLANDO WEEKS (THE MACCABEES) @ THE GREAT ESCAPE

Five minutes and counting. Team mINtSOUTH are sat in a Brighton cafĂ© facing The Maccabees’ lead singer Orlando Weeks. He’s recovering after a late night and is wearing a patterned cap and a sleepy yet friendly smile. The interview cards are at the ready. Time to see if we can do this before we’re interrupted by the soundcheck. Go!

Quirky indie poppers The Maccabees played last night in the Corn Exchange, and in a few hours time are set to play in the Pavilion Theatre, a matinee show for competition winners. Recent single ‘Love You Better’ has been all over the airwaves and the band has been touring the UK over the past few weeks, so Orlando is probably welcoming the chance for a quick sit down.

How’s the Great Escape Festival going so far?
“I saw The Week That Was yesterday and that was really good, and I really enjoyed The Agitator as well. I’ve got to head home after we’ve played this afternoon. We played [The Great Escape] maybe two years ago and I came last year. It always seems to do that thing where it doesn’t rain properly, it just makes everything damp and so the whole time you feel slightly sticky. It’s a sticky festival.”

Do you get much time to watch bands at festivals?
“Yeah, that’s kind of the massive privilege of it all is that you go and see bands free and you see bands that you haven’t seen for ages because everyone’s touring or everyone’s been writing records and you all meet up at festivals.”

Have you got any plans for the rest of the year?
“Just going to be playing loads and loads and loads. At the end of this tour we’ve got like seven days or something, and then go to Europe for a bit, go to America, come back and do the festivals, and do another tour in autumn around England again and Europe. There is rest, it’s just like at unusual times.

“I’m quite excited to see Fleet Foxes at Glastonbury and we’re playing Haldern Pop Festival in Germany with Grizzly Bear. Their new record comes out Monday so I’ll have enough time to get my head round that and then I’ll be able to see them for real. I can’t wait.”

If you could have a great escape, where would you escape to? “Right now?” He has a think. “I’d go to Cornwall.”

As we’re currently not in Cornwall, we mention Brighton. “I’m from London, I’m from Clapham but I lived here for four years whilst I was doing a degree. Illustration.”

Do you know many bands in the area? “Yeah I think that part of the charm of Brighton is that because it’s so close knit, you kind of end up knowing everyone, so it’s nice.”

And from the city itself on to funfair rides: "I used to really like the one that’s on the end of the pier, where you’re on the end of an arm that goes like that (does swinging motion) and I can’t go on it anymore because I read that someone was on one once and a seagull went in their head and killed them. If you want to get made up so it looks like you’ve been shot or have an arrow through your head, my father would say that it wasn’t a good idea because it would be tempting fate. So in general anything that risks life and limb unnecessarily, I think I’ve inherited that from him, I don’t see the point. Seagulls are evil birds,” he adds, quite rightly.

The Maccabees’ second album ‘Wall Of Arms’ came out earlier this month on Polydor. Has Orlando got any messages for people who haven’t bought it yet but who really should? “I wouldn’t say buy it. Just borrow someone’s, see what you think.”

How’s it going down, are you getting quite good feedback?“Yeah, so far so good. The people that have borrowed it have liked it,” he says with a smile.

Finally we see if Orlando has any advice for the new bands all trying to make it big at this year’s festival.“I’m not really one for giving advice really, I don’t really feel like I’ve earned that privilege,” he says modestly. “All we did was just play as much as possible and rehearse as much as we could and be really self-critical. I don’t think that’s advice, I just think that’s how we went about it.”

Time to let Orlando whizz off and get soundcheck out the way. There’s just enough time to grab a quick photograph where Team mINtSOUTH pretend to be his bandmates. “You have to look moodily into the distance,” Orlando advises. Instead we grin like berks. The Maccabees’ singer may not like giving advice, but it’s for everyone’s benefit.

http://www.themaccabees.co.uk